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Resurrection: The hero faces one final, climactic challenge.

The Road Back: The hero begins the journey back to the ordinary world.

Reward: The hero overcomes the ordeal and gains a reward or insight.

Ordeal: The hero faces a major test, often their most significant challenge.

Approaching the Cave: The hero gets closer to the central challenge or conflict.

Tests, Allies, and Enemies: The hero faces challenges, makes allies, and encounters adversaries.

Crossing the Threshold: The hero commits to leaving the ordinary world and entering the unknown.

Meeting the Mentor: The hero encounters a mentor or guide who provides advice or assistance.

Refusal of the Call: The hero hesitates or resists the call initially.

Call to Adventure: The hero receives a call to leave their ordinary world and embark on a journey.

Ordinary World: The hero's normal life before the adventure begins.

Here's a linear representation of Campbell's idea with beats I use when writing. there are many different names for the story beats in the circle. The Hero's Journey is often depicted as a circular diagram, with each stage connected to the next in a cycle. Additionally, unlike most metering apps, Cine Meter II is designed specifically for cinematographers, with cinematography-specific controls and options - like shutter angles, T-Stops, filter factors, and frame rates. The ability to add a $30 Luxi metering sphere essentially turns your iPhone into the rough equivalent of a combination spot/incident meter, which are incredibly expensive ($800) if you purchase the real-world equivalent from Sekonic.

#Luxi photosphere attachment professional#

Add a Luxi™ photosphere for incident-light readings ( $30 from ESDevices for iPhone 4/4S or 5/5S support for other devices coming soon).Ī few of these features are especially groundbreaking for cinematographers who are considering a metering app instead of laying down a load of cash for a professional light meter.The zoomable spotmeter lets you measure light precisely from a distance (iOS 7 or later only, on iPhone 5, iPod touch 5G, iPad Air, iPad mini 2G, or later devices).Use the front-facing camera for 'lightmeter selfies' – use yourself as the model when lighting a set (not available on iPhone 3GS).Cinematographer-friendly controls let you set shutter angle, ND filter compensation, and arbitrary filter factors.So what all is new in Cine Meter II? Here's a quick breakdown. These three primary functions are still the foundation of the updated app. The waveform’s RGB mode shows you color imbalances in the image and gives you a handy way to check for color purity on a green screen or blue screen.įalse Color Display: lets you define allowable contrast ranges, and see instantly which shadows are underexposed and what highlights risk clipping. Waveform Monitor: shows you how light levels vary within and across a scene. They show you how even the lighting is on a green screen or white cove, and let you see hotspots and imbalances at a glance. You can add neutral density filter corrections and arbitrary exposure compensations. You can meter using shutter speeds, or shutter angles from 11.25º to 360º (especially useful when using Digital Bolex and Blackmagic cameras).

#Luxi photosphere attachment full#

Light Meter: shows you your stop as decimal readings (such as 3.2, good for cameras with EVF iris readouts) or full stops and fractions (like 4.0 1/3, good for cine lenses with marked iris rings).

Here's a rundown of what each of the tools in Cine Meter II are, and what they can accomplish: It also included two of the more helpful exposure tools that we utilize today, the waveform monitor and the false color display.

The original Cine Meter app was a smash hit among cinematographers largely due to the fact that it goes way beyond basic metering functionality.

#Luxi photosphere attachment update#

However, one of the most promising light meter apps, Adam Wilt's Cine Meter, just got a major update that includes tons of new features that discerning cinematographers will love. There have even been a few notable attempts at replacing light meters with an app, although most of those apps left something to be desired, especially compared to their real-world counterparts. There are slating apps, and shot-listing apps, and blocking/overhead apps, and apps that can teach you color correction. The same can be said for many of the tools that filmmakers use on a day-in and day-out basis. For most of us, our phones have replaced calendars, alarm clocks, maps, newspapers, and a whole host of other things. It's safe to say that smartphones and tablets can do just about anything these days.